Corneille's tragedies were strangely un-tragic (his first version of "Le Cid" was even listed as a tragicomedy), for they had happy endings. They produced French works by Jean Giraudoux, Jules Romains, Jean Anouilh and Jean-Paul Sartre, as well as Greek and Shakespearean plays and works by Luigi Pirandello, Anton Chekhov, and George Bernard Shaw. A complete version of Aristotle's Poetics appeared later (first in 1570 in an Italian version), but his ideas had circulated (in an extremely truncated form) as early as the 13th century in Hermann the German's Latin translation of Averroes' Arabic gloss, and other translations of the Poetics had appeared in the first half of the 16th century; also of importance were the commentaries on Aristotle's poetics by Julius Caesar Scaliger which appeared in the 1560s. Theatrical representations often encompassed several works, beginning with a comic prologue, then a tragedy or tragicomedy, then a farce and finally a song. Sometimes grouped with the unity of action is the notion that no character should appear unexpectedly late in the drama. Engravings show Louis XIV and the court seating outside before the "Cour du marbre" of Versailles watching the performance of a play. # hiphop Francetv culturebox Théâtre de Suresnes Jean Vilar Une création d'Ousmane Sy, figure du hip-hop décédée brutalement fin décembre à l'âge de 40 ans, va être diffusée dimanche sur, en direct du Théâtre de Suresnes Jean Vilar, a … During the Middle Ages and the Renaissance, public theatrical representations in Paris were under the control of guilds, but in the last decades of the sixteenth century only one of these continued to exist: although "les Confrèrie de la Passion" no longer had the right to perform mystery plays (1548), they were given exclusive rights to oversee all theatrical productions in the capital and rented out their theatre (the Hôtel de Bourgogne) to theatrical troupes at a high price. Many of these notions are directly inspired by the works of Aristotle and Horace and by classical Greek and Roman masterpieces. Fictions / Théâtre et Cie : l'émission en replay et ses archives en réécoute sur France Culture. Intellectuel pour ceux du Cours Florent. The characters from the Commedia dell'arte would have a profound effect on French theatre, and one finds echoes of them in the braggarts, fools, lovers, old men and wily servants that populate French theatre. Cardinal Richelieu asked the newly formed Académie française to investigate and pronounce on the criticisms (it was the Academy's first official judgement), and the controversy reveals a growing attempt to control and regulate theatre and theatrical forms. Les années de formation, LE Like the "Confrères de la Passion", "la Basoche" came under political scrutiny (plays had to be authorized by a review board; masks or characters depicting living persons were not permitted), and they were finally suppressed in 1582. France, and Paris, the city of lights in particular, have been one of the world’s cultural center points for hundreds of years. Toutes les pièces de théâtre, fictions et séries audio de France Culture enregistrées sur scène : œuvres classiques ou d'avant-garde, à écouter en ligne et en podcast. They moved to several theatres in Paris (the. France also has a remarkable history and culture, friendly people and delicious cuisine. Boris Vian : L’Écume des jours (France Culture / Théâtre et Cie). France Culture et le Théâtre de la Ville s’associent pour 10 week-ends de réflexions, de créations et de fictions. Jean-Paul Belmondo stars as a TV producer itch… All of these eclectic traditions would continue to evolve in the "baroque" theatre of the early 17th century, before French "classicism" would finally impose itself. As early as 1503 however, original language versions of Sophocles, Seneca, Euripides, Aristophanes, Terence and Plautus were all available in Europe and the next forty years would see humanists and poets both translating these classics and adapting them. Une dose quotidienne de culture et de savoirs. From 1550 on, one finds humanist theatre written in French. Non-dramatic plays from the 12th and 13th centuries: Select list of plays from the 14th and 15th centuries: In the 15th century, the public representation of plays was organized and controlled by a number of professional and semi-professional guilds: Genres of theatre practiced in the Middle Ages in France: 16th-century French theatre followed the same patterns of evolution as the other literary genres of the period. The term French Music is used here in its broadest cultural sense to include all geographical areas within the influence of the French language and some composers of non-French origin who worked in France.. Le Martyre de Sainte Catherine (tragedy) - 1650, Le Cercle des femmes ou le Secret du Lit Nuptial 1656 (Comedy, prose), Damon et Pythias, ou le Triomphe de l'Amour et de l'Amitié (tragi-comedy) 1657, Armetzar ou les Amis ennemis (tragi-comedy) 1658, Le Riche mécontent ou le noble imaginaire (Comedy)1660, L'Académie des Femmes, (Farce, in verse) Paris, 1661, Le Colin-Maillard (Farce, Comedie Facetieuse), Paris, 1662, L'Avare duppé, ou l'Homme de paille, (comedy) Paris, 1663. Noble characters should not be depicted as vile (reprehensible actions are generally due to non-noble characters in Corneille's plays). WROD 1340 AM. By the middle of the century, theatre began to reflect more and more a realistic tendency, associated with Naturalism. Important theatrical models were also supplied by the Italian stage (including the pastoral), and Italy was also an important source for theoretical discussions on theatre, especially with regards to decorum (see for example the debates on Sperone Speroni's play Canace and Giovanni Battista Giraldi's play Orbecche).[3]. Top Stations. Suivez l'actualité du théâtre avec France Culture : nouveautés, critiques, interviews et regards d'artistes en émissions, vidéos et podcasts. Let’s dive into a culture broth! Select list of French theatre after 1659: The major battle of romanticism in France was fought in the theatre, but was not against the theatre. Popular drama, as performed by what were known as “boulevard theatres,” introduced melodrama, a form that was to dominate theatre in the 19th century. Nobles sometimes sat on the side of the stage during the performance. Théâtre des Champs-Élysées: Check out the amazing Art Deco design of this prestigious theatre, built in 1913. In many locations, theater as performance evolved from other ideas and customs, such as events honoring gods and mythical creatures. Zénobie (tragedy) - 1647, written with the intention of affording a model in which the strict rules of the drama were served. French theatre from the seventeenth century is often reduced to three great names — Pierre Corneille, Molière and Jean Racine — and to the triumph of "classicism"; the truth is however far more complicated. Discussions about the origins of non-religious theatre ("théâtre profane") -- both drama and farce—in the Middle Ages remain controversial, but the idea of a continuous popular tradition stemming from Latin comedy and tragedy to the 9th century seems unlikely. The stage—in both comedy and tragedy—should feature noble characters (this would eliminate many low-characters, typical of the farce, from Corneille's comedies). In this week's Culture in France, RFI's Rosslyn Hyams visits the Vaux le Vicomte Fait son Cinéma exhibition in the 17th Century palace and gardensnear Paris. Horace was translated in the 1540s, but had been available throughout the Middle Ages. Linked with the theatrical unities are the following concepts: These rules precluded many elements common in the baroque "tragi-comedy": flying horses, chivalric battles, magical trips to foreign lands and the deus ex machina. Mellin de Saint-Gelais's translation of Gian Giorgio Trissino's La Sophonisbe — the first modern regular tragedy based on ancient models which tells the story of the noble Sophonisba's suicide (rather than be taken as captive by Rome) — was an enormous success at the court when performed in 1556. Please improve it by verifying the claims made and adding inline citations.Statements consisting only of original research should be removed. In French neoclassical theatre (also called French neoclassicism),[5] a play should follow the Three Unities: Although based on classical examples, the unities of place and time were seen as essential for the spectator's complete absorption into the dramatic action; wildly dispersed scenes in China or Africa, or over many years would—critics maintained—break the theatrical illusion. Culture is available year-round throughout the country, and can be enjoyed to excess. In 1635, the formidable Cardin… In 1597,[1] they abandoned this privilege. The French theatre of the late 18th century functioned as a forum for political expression and debate; during this period, society and art became highly politicised. Racine's two late plays ("Esther" and "Athalie") opened new doors to biblical subject matter and to the use of theatre in the education of young women. The key theoretical work on theatre from this period was François Hedelin, abbé d'Aubignac's "Pratique du théâtre" (1657), and the dictates of this work reveal to what degree "French classicism" was willing to modify the rules of classical tragedy to maintain the unities and decorum (d'Aubignac for example saw the tragedies of Oedipus and Antigone as unsuitable for the contemporary stage). Sandrine Lescourant... Alors que la réouverture des lieux culturels a de nouveau été reportée par le gouvernement, la metteuse en scène, plasticienne, dramaturge et directrice... Rencontre avec l’auteur, comédien et metteur en scène David Geselson, l’occasion d’aborder son spectacle "Lettres non écrites", dont la tournée est prévue... Dans ce cinquième et dernier épisode, Denis Podalydès explique son attachement à la Comédie Française, vingt ans et plus, de compagnonnage avec la troupe... Tewfik Hakem dans la première partie de "A plus d'un titre" reçoit le fondateur et directeur général du Cours Florent, François Florent, à l'occasion de... A l'occasion de la sortie de son livre "Pour jouer Molière", François Florent, professeur d'art dramatique, évoque le théâtre de Molière et commente les... Une vie d’artiste entre théâtre, cinéma et écriture… Denis Podalydès joue l’alternance et le mélange des genres. 4. Regular comedies (i.e. We will hunt down the plaques bearing the name of the streets of Paris and look for their history on Paristique, then descend into the catacombs to discover the bowels of the city. Réécouter Regards croisés sur l’Amérique et sur la France, Regards croisés sur l’Amérique et sur la France, Réécouter À la recherche de l’Arche d’Alliance, mythes et réalités, À la recherche de l’Arche d’Alliance, mythes et réalités, Réécouter Des origines de l’inceste à la libération de la parole, Des origines de l’inceste à la libération de la parole, Réécouter États-Unis : la transition sous le choc, Réécouter La ferme dite des 1 000 vaches, symbole de l'agriculture industrielle, cesse son activité laitière, La ferme dite des 1 000 vaches, symbole de l'agriculture industrielle, cesse son activité laitière. The sixteenth century Italians played a central role in the publishing and interpretation of classical dramatic theory, and their works had a major effect on French theatre. comedies in five acts modeled on Plautus or Terence and the precepts of Aelius Donatus) were less frequent on the stage than tragedies and tragicomedies at the turn of the century, as the comedic element of the early stage was dominated by the farce, the satirical monologue and by the Italian commedia dell'arte. Racine's poetic skill was in the representation of pathos and amorous passion (like Phèdre's love for her stepson) and his impact was such that emotional crisis would be the dominant mode of tragedy to the end of the century. Theatre in the 1920s and 1930s went through further changes in a loose association of theatres (called the "Cartel") around the directors and producers Louis Jouvet, Charles Dullin, Gaston Baty, and Ludmila and Georges Pitoëff. Comedy in the second half of the century was dominated by Molière. Museums are full of them, but not just them. The most important source for tragic theatre was Seneca and the precepts of Horace and Aristotle (and modern commentaries by Julius Caesar Scaliger and Lodovico Castelvetro), although plots were taken from classical authors such as Plutarch, Suetonius, etc. Réécouter Place aux gros (1/4) : Tous grossophobes ! France - France - The fine arts: French traditions in the fine arts are deep and rich, and painting, sculpture, music, dance, architecture, photography, and film all flourish under state support. 03/01/2021, Réécouter La Nuit rêvée de Jean-Pierre Vincent (2017) (5/9) : Jean-Pierre Vincent : "Tout est fait aujourd'hui pour faire oublier aux gens qu'ils sont les fruits d'une histoire", Jean-Pierre Vincent : "Tout est fait aujourd'hui pour faire oublier aux gens qu'ils sont les fruits d'une histoire", Réécouter La Nuit rêvée de Jean-Pierre Vincent (2017) (1/9) : Jean-Pierre Vincent : "Entre comique et tragique, Dom Juan de Molière a été pour moi une révélation miraculeuse", Jean-Pierre Vincent : "Entre comique et tragique, Dom Juan de Molière a été pour moi une révélation miraculeuse", Invasion du Capitole américain : quand deux moments historiques se côtoient, Ces Américains blancs et souvent racistes qui s'habillent en Indiens pour défier l'Etat, Réécouter Le Dixie Flag au capitole, un symbole qui fait mal, Le Dixie Flag au capitole, un symbole qui fait mal, Sur internet et en dehors, "l'extrême droite américaine se prépare patiemment". To register your interest please contact providing details of the course you are teaching. The most significant dramatist of turn of the century France was Alfred Jarry. Although the ancients had been less theoretical about the comedic form, the humanists used the precepts of Aelius Donatus (4th century AD), Horace, Aristotle and the works of Terence to elaborate a set of rules: comedy should seek to correct vice by showing the truth; there should be a happy ending; comedy uses a lower style of language than tragedy; comedy does not paint the great events of states and leaders, but the private lives of people, and its principle subject is love. France once believed that its culture was totally immune to binge drinking, which is a phenomenon that has hit the United Kingdom and the United States. Voir aussi : Fictions Théâtre – Festival d'Avignon. Une chaîne généraliste dédiée à tous les savoirs, des arts aux sciences en passant par les humanités. Another guild, the "Enfants Sans-Souci" was in charge of farces and soties, as too the "Clercs de la Basoche" who also performed morality plays. Public performances were tightly controlled by a guild system. Timocrate (tragedy) - 1659, the longest run (80 nights) recorded of any play in the century, Circée (tragicomedy) - 1675 (cowritten with, La Devineresse (comedy) - 1679 (cowritten with, Tamerlan, ou la mort de Bajazet (tragedy) - 1676, Phèdre et Hippolyte (tragedy) - 1677, this play, released at the same time as Racine's, had a momentary success, Les Bourgeoises à la mode (comedy) - 1693, Les Bourgeoises de qualité (comedy) - 1700, This page was last edited on 19 December 2020, at 03:13. If you are interested in the title for your course we can consider offering an examination copy. French is the official language and the first language of 88 percent of the population, according to the BBC. The theater has been present in various forms and cultures for at least 2,500 years. Acteur pour ses camarades khâgneux. Many of Molière's comedies, like "Tartuffe", "Don Juan" and the "Le Misanthrope" could veer between farce and the darkest of dramas, and the endings of "Don Juan" and the "Misanthrope" are far from being purely comic. and from short story collections (Italian, French and Spanish). Most influential in this respect was Verenice Flores. 1. In addition to melodramas, popular and bourgeois theatre in the mid-century turned to realism in the "well-made" bourgeois farces of Eugène Marin Labiche and the moral dramas of Émile Augier. French is the second most widely learned foreign language in the world, with almost 120 million students, according to the French Ministry of Foreign Affairs and International Development.About 3 percent of the popula… Select list of authors and works of humanist tragedy: (See the playwrights Antoine de Montchrestien, Alexandre Hardy and Jean de Schelandre for tragedy around 1600-1610.). 2020 aura été le théâtre de crises multiples imbriquées les unes dans les autres. France Today is the leading website and print magazine written for an international audience of educated Francophiles interested in French travel, culture, gastronomy, shopping & entertainment, art … France - France - The arts: French literature has a long and rich history. (March 2009) (Learn how and when to remove this template message)(Learn how and when to remove this template message) Corneille's "Le Cid" was criticised for having Rodrigue appear before Chimène after having killed her father, a violation of moral codes. Top Stations. 6,000 municipal libraries, 40,000 protected monuments and sites, 8,000 museums, 5,000 film theatres, 500 theatre, music and dance festivals, not to mention the theatre seasons and countless exhibitions. His plays — which were essentially chamber plays meant to be read for their lyrical passages and rhetorical oratory — brought to many humanist tragedies a concentration on rhetoric and language over dramatic action. 07/01/2021, Stanislas Nordey : "Le vaccin est notre seule porte de sortie", Réécouter Denis Podalydès, scènes de la vie d’un artiste (3/5) : Etre et devenir acteur, LE Actors typically had fantastic stage names that described typical roles or stereotypical characters. À venir dansDans The amazing success of Corneille's "Le Cid" in 1637 and "Horace" in 1640 would bring the tragedy back into fashion, where it would remain for the rest of the century. Racine's tragedies—inspired by Greek myths, Euripides, Sophocles and Seneca—condensed their plot into a tight set of passionate and duty-bound conflicts between a small group of noble characters, and concentrated on these characters' double-binds and the geometry of their unfulfilled desires and hatreds. Voir aussi : Actualité du théâtre – Fictions Littérature – Fictions Poésie – Fictions Polars et SF – Fictions Jeunesse Culture and the arts in France have traditionally been seen as sacrosanct, and thus considered immune to the state funding cuts sweeping the rest of Europe. Most historians place the origin of medieval drama in the church's liturgical dialogues and "tropes". In the first half of the century, the public, the humanist theatre of the colleges and the theatre performed at court showed extremely divergent tastes. This article possibly contains original research. The impact of his plays, primarily Ubu Roi, was writ large upon contemporary audiences and has continued to be a major influence on, among others, Monty Python's Flying Circus and The Young Ones. Le directeur du Théâtre National de Strasbourg est à l'initiative de la tribune signée par 200 artistes du théâtre, de la littérature ou de la musique... Après le Conservatoire, un parcours jalonné de rencontres essentielles qui structureront le chemin d’acteur de Denis Podalydès. Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. Film and Theatre. Alongside tragedy, European humanists also adapted the ancient comedic tradition and as early as the 15th century, Renaissance Italy had developed a form of humanist Latin comedy. Although some French authors kept close to the ancient models (Pierre de Ronsard translated a part of Aristophanes's "Plutus" at college), on the whole the French comedic tradition shows a great deal of borrowing from all sources: medieval farce (which continued to be immensely popular throughout the century), the short story, Italian humanist comedies and "La Celestina" (by Fernando de Rojas). Les dimanches en direct du Théâtre de la Ville et sur France Culture . This would change in the 1630s and 1640s when, influenced by the long baroque novels of the period, the tragicomedy—a heroic and magical adventure of knights and maidens—became the dominant genre. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue. He is credited with giving the French "comedy of manners" ("comédie de mœurs") and the "comedy of character ("comédie de caractère") their modern form. Le 10/01/2021 Emissions en direct sur France Culture et sur le site du Théâtre de la Ville, YouTube et Facebook PAPIERS #35. Place aux gros (1/4) : Tous grossophobes ! Pour ce deuxième temps de sa "Nuit rêvée" il choisit de faire entendre les voix de Bernard... Premier entretien avec l'homme de théâtre Jean-Pierre Vincent. The events of May 1968 marked a watershed in the development of a radical ideology of revolutionary change in education, class, family and literature. Italian theatre (like the tragedy of Gian Giorgio Trissino) and debates on decorum (like those provoked by Sperone Speroni's play Canace and Giovanni Battista Giraldi's play Orbecche) would also influence the French tradition. The Avignon festival was started in 1947 by Jean Vilar, who was also important in the creation of the "Théâtre national populaire" or T.N.P. 06/01/2021, Réécouter Denis Podalydès, scènes de la vie d’un artiste (2/5) : Prof ou acteur ? Early modern theatres and theatrical companies, Le Barbier de Séville ou la Précaution inutile, Category:French dramatists and playwrights, "Chronology of the French Stage, 789-1699", History of Western Theatre: Greeks to Elizabethans, History of Western Theatre: 17th Century to Now, Provisional Government of the French Republic,, Wikipedia introduction cleanup from November 2019, Articles covered by WikiProject Wikify from November 2019, All articles covered by WikiProject Wikify, Creative Commons Attribution-ShareAlike License, La Farce de maître Trubert et d'Antrongnard -, Le Dit des quatre offices de l'ostel du roy -, Bien Avisé et mal avisé (morality) (1439), Chantefable - a mixed verse and prose form only found in "Aucassin et Nicolette", 'La troupe de Monsieur" - under the protection of Louis XIV's brother, this was Molière's first Paris troupe. The dramatists that worked with Lully included Pierre Corneille and Molière, but the most important of these librettists was Philippe Quinault, a writer of comedies, tragedies, and tragicomedies. Eventually, theatres would develop systems of elaborate machines and decors, fashionable for the chevaleresque flights of knights found in the tragicomedies of the first half of the century. Unlike England, France placed no restrictions on women performing on stage, but the career of actors of either sex was seen as morally wrong by the Catholic Church (actors were excommunicated) and by the ascetic religious Jansenist movement. WHTA Hot 107,9. 04/01/2021, Réécouter Sacha Guitry : "Molière est mort maquillé, quel est le comédien qui ne l’envierait pas ? Listen to France Culture internet radio online for free on Denis Podalydès hésite entre deux vies, deux mondes. This would be the beginning of seventeenth century "classicism". The culture found in France is extraordinary. The great majority of scripted plays in the seventeenth century were written in verse (notable exceptions include some of Molière's comedies). Corneille continued to write plays through 1674 (mainly tragedies, but also something he called "heroic comedies") and many continued to be successes, although the "irregularities" of his theatrical methods were increasingly criticized (notably by François Hédelin, abbé d'Aubignac) and the success of Jean Racine from the late 1660s signaled the end of his preeminence. The poetry of Baudelaire and much of the literature in the latter half of the century (or "fin de siècle") were often characterized as "decadent" for their lurid content or moral vision, but with the publication of Jean Moréas "Symbolist Manifesto" in 1886, it was the term symbolism which was most often applied to the new literary environment. Looking for an examination copy? Inspired by the theatrical experiments in the early half of the century and by the horrors of the war, the avant-garde Parisian theatre, "New theatre"—termed the "Theatre of the Absurd" by critic Martin Esslin in reference to Eugène Ionesco, Samuel Beckett, Jean Genet, Arthur Adamov, Fernando Arrabal—refused simple explanations and abandoned traditional characters, plots and staging. At the end of the century, in the plays of Crébillon in particular, there occasionally appeared a return to the theatricality of the beginning of the century: multiple episodes, extravagant fear and pity, and the representation of gruesome actions on the stage. These tendencies can be seen in the theatrical melodramas of the period and, in an even more lurid and gruesome light, in the Grand Guignol at the end of the century. 05/01/2021, Réécouter Denis Podalydès, scènes de la vie d’un artiste (1/5) : Les voix de l’enfance, LE Le Dernier Caravansérail d'Ariane Mnouchkine 1/3 - Radio Libre, France Culture, 21 février 2004. During his 72 year reign, the Sun King transformed France into the most powerful nation in Europe and he did this not just by winning more land in battle or making alliances but by making Paris the cultural center of the continent. The place directly in front of the stage, without seats—the "parterre"—was reserved for men, but being the cheapest tickets, the parterre was usually a mix of social groups. Discover online now. The grounds and rooms have featured in some 50 movies over the past half-century since opened to the public in 1968, a revolutionary year. Archives Théâtre du Soleil. The culture of France has been shaped by geography, by historical events, and by foreign and internal forces and groups. For example, while the tragicomedy was fashionable at the court in the first decade, the public was more interested in tragedy. The guild "les Confrères de la Passion" had exclusive rights to theatrical productions of mystery plays in Paris; in 1548, fear of violence or blasphemy resulting from the growing religious rift in France forced the Paris Parliament to prohibit performances of the mysteries in the capital, although they continued to be performed in other places. During the 19 th and 20 th Centuries, the French culture and charm rapidly spread all over the world, bringing with it the latest trends of French culture and lifestyle.. This article is an overview of the theatre of France. Also popular were the operettas, farces and comedies of Ludovic Halévy, Henri Meilhac, and, at the turn of the century, Georges Feydeau. Jean Rotrou and Pierre Corneille would return to the regular comedy shortly before 1630. The royal court and other noble houses were also important organizers of theatrical representations, ballets de cour, mock battles and other sorts of "divertissement" for their festivities, and in the some cases the roles of dancers and actors were held by the nobles themselves. By the end of the century, only the "Confrères de la Passion" remained with exclusive control over public theatrical productions in Paris, and they rented out their theatre at the Hôtel de Bourgogne to theatrical troupes for a high price. France Culture, c'est une radio de service public du groupe Radio France. 09/01/2021, Réécouter Macha Makeïeff : "La fiction nous protège du désastre", Macha Makeïeff : "La fiction nous protège du désastre", LE Other later century tragedians include: Claude Boyer, Michel Le Clerc, Jacques Pradon, Jean Galbert de Campistron, Jean de La Chapelle, Antoine d'Aubigny de la Fosse, l'abbé Charles-Claude Geneste, Prosper Jolyot de Crébillon. Sophonisbe a/k/a La Cathaginoise a/k/a La Liberté (tragedy) - 1596, La Reine d'Ecosse a/k/a L'Ecossaise (tragedy) - 1601, Tyr et Sidon, ou les funestes amours de Belcar et Méliane (1608), Scédase, ou l'hospitalité violée (tragedy) - 1624, La Force du sang (tragicomedy) - 1625 (the plot is taken from a Cervantes short story), Lucrèce, ou l'Adultère puni (tragedy) - 1628, Les Amours tragiques de Pyrame et Thisbé (tragedy) - 1621, Didon la chaste ou Les Amours de Hiarbas (tragedy) - 1642, La Silvanire, ou La Morte vive (pastoral tragicomedy) - 1630, Les Galanteries du Duc d'Ossonne Vice-Roi de Naples (comedy) - 1632, Le Véritable saint Genest (tragedy) - 1645, Clitandre (tragicomedy, later changed to tragedy) - 1631, Rodogune, princesse des Parthes (tragedy) - 1644, Héraclius, empereur d'Orient (tragedy) - 1647, Don Sanche d'Aragon ("heroic" comedy) - 1649, Tite et Bérénice ("heroic" comedy) - 1670, Suréna, général des Parthes (tragedy) - 1674.

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